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Major and minor are denoted by symbols more common to jazz charts (- is minor and ? is Major) Diamonds surrounding the chords mean they are “footballs” (whole notes). Notice some of the additional markings… if two chords are underlined, that means that they take up one bar (two beats each). It was an album release party for a wonderful album recorded in Nashville by local Portland area artist, Debra Arlyn). Here’s an example chart (PDF) from a gig I did last year. The Nashville Number System has evolved into a complete method of writing chord charts and melodies-combining Nashville shorthand with formal notation. It’s a very straight forward system, but there are a few things that you might have to get used to. Other times, they may be written to the side and you just have to hear the tune through to know what the harmonic rhythm is, or use your intuition and cues from the band leader. Often, the numbers will be written on the lyric sheet with the numbers written above the lyric relating to the change. It’s all in relation to the tonal center. All chord relationships are based on the tonic scale.įor example, if the song is in G Major and the progression was:
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So, like the Roman numeral system, it is basically just a way to notate songs, regardless of key. I’ve known about it for a while but have only come across it when reading original charts from a recording session there. The good news is that it’s pretty much the same as the classical (or jazz) Roman numeral system.Īs you’ve probably guessed by now, it is primarily used in Nashville, hence the name.
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Are you aware of any music I could download that uses this system?Ī: What you’re referring to is the Nashville Number system. I have become aware of lead sheets using numbers 1, 4, 5’ 1/5).
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Q: I am classically trained, so I’m used to Roman numerals to designate chords (I, IV, V7, etc.).